Judith, with her cheeks flushing and paling and her composed tones carrying conviction, laid the story of her discoveries before them, telling them how she had thought of it first "for fun, like a plot for a story," and then how she had remembered that Doris Leighton had Elinor's keys with access to the locker where the two studies for the prize designs were left that night that Elinor was taken ill; how she had discovered through Doris' younger sister that Doris had made her study for the Roberts prize from a little rough color sketch "just like Elinor had.",
"I wonder what she was going to say?" she thought, as she went slowly up to Judith's room, where she was to spend the night. "It can't be my imagination this time, for she actually did start to speak, and then stopped." She frowned and then her face cleared. "What a stupid I am—always getting up in the air about trifles! Doris Leighton is tired to death, and wanted to get home. She was just as pleasant as ever, even though she didn't have time or strength to be as sociable as she'd liked. If she hadn't felt an interest in Elinor, she'd not troubled to bring her keys back tonight. I hope she makes good with her prize study, now that she's gotten an idea for it. She's a stunning worker when she goes at it.",
Elinor shook her head. "To tell the truth, Miss Pat dear, I almost wish Bruce hadn't gotten me into the life and portrait classes without the regular term in the antique rooms. I shouldn't feel half so shivery about going in there and drawing from those big casts, for I know they are all more or less beginners there.".
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